THE ULTIMATE [LOVE FOR TECHNOLOGIES OF LOATHING]

Produced in 2017, this body of work consists of dozens of performative scans. These images are experimental self-portraits triggered by an automated script. I performed over the course of several hours in front of an old scanner that allowed me to have one portrait produced in a scanning process of over thirty minutes in high resolution. The work addresses our contemporary culture of vicious consumption cycles: constant self-representation to self-loathing in the context of validation on repeat. A selection of this series is available on Foundation.